Conference (and other) Presentations
2021
Keep Learning, Keep Talking series, as Co-Director of Centre for Performance Philosophy, in collaboration with DanceHE, Independent Dance, and C-Dare. Guest Speakers: Carla Trim-Vamben, Matthew Gough, Sharon Watson. Online. Jan, April, & July 2021.
Exploring Diffraction with Glitch, Dance, and Video, Paper-presentation, Modes of Capture Symposium, Irish World Academy, University of Limerick, Liz Roche Company & Dublin Dance Festival, Ireland & Online, May 2021.
2019
Who can afford to be emotional?: The cultural politics of emotion with practice research in the university context, Paper, Dancing in Common, Dance Studies Association Annual Conference, Northwestern University, USA, Aug 2019.*
Negotiating emotional labour with practice research in the academy, Paper, Per/Forming Futures Conference, Middlesex University London, UK, April 2019.*
2018
May & June 2018 performance lectures, please see Choreography page.
Roundtable on Dance Technique and Performance Training, University of Winchester, UK, Invited Contributor, hosted by Noyale Colin & Catherine Seago, May 2018.
We Are Worthy Summit, Global Online Event, Invited Contributor for Session 'The Creativity of Childlessness: Finding Understanding and Acceptance Through Art' with Jessica Hepburn, London, UK, April 2018.
Women in Dance Leadership Conference, New York, NY, USA, Invited Academic, January 2018, please see Movement: Choreography page.
2017
Invited lecture for Critical Encounters series, University of Lincoln, UK, 11 Oct 2017.
Jan & July performance performance lectures, please see Movement: Choreography page.
2016
Re-reflecting on dancers’ engagements with video self-recordings, Paper, Centre for Performance Philosophy Launch Event, University of Surrey, UK, September 2016*
Foregrounding the imagination: re-reflecting on dancers’ engagement with video self-reflection, Choreography and Corporeality Working Group, International Federation for Theatre Research, Presenting the Theatrical Past, Stockholm, Sweden, June 2016.*
2015
Choreography is Critical: Choreography as core curricula in the UK and USA, Paper, CORD/SDHS Joint Conference: Cut & Paste: Dance Advocacy in the Age of Austerity, Athens, Greece, June 2015.
2014
Fixating or Evoking? writing about dancers’ kinaesthetic experiences, Paper, CORD/SDHS Joint Conference: Writing Dancing/Dancing Writing, University of Iowa, USA, November 2014.*
Getting to the Heart of Dance: How, Why, and When to use Qualitative Methodology in Dance Research, Panel contribution: Phenomenological-based approach, with IADMS Research Committee and Lana Ashton, IADMS Annual Conference, Basel, Switzerland, October 2014.*
Performing the labour of knowledge?, Paper, Performing Process: Sharing Practice Symposium, C-DaRE, Coventry University, UK, June 2014.*
2013
Dancers' experiences of kinaesthetic disruption with video self-images, Paper, School of Arts Research Seminar, University of Surrey, UK, October 2013.
2012
Dancers’ experience of kinaesthetic disruption with video self-image, Paper, Dance through the Looking Glass Conference, Ghent University, Department of Philosophy and Moral Science, Belgium, June 2012.*
2011
The kinaesthetic, visual, and imaginary and a contemporary dancer experience, Paper, 10th International NOFOD Conference, Spacing Dance(s) – Dancing Space(s), University of Southern Denmark, Odense, Jan 2011.*
2010
The Dancing Self/Other: a conceptual overview, Paper, Society of Dance History Scholars, University of Surrey, July 2010.*
Kinaesthetic Empathy and Dancer-Choreographer Relations: a case study, Poster, Kinaesthetic Empathy: Concepts and Contexts Conference, University of Manchester, April 2010.*
The Dancing Self/Other: a conceptual overview. Poster, International Association of Dance Medicine and Science Conference, University of Birmingham, UK, October 2010.*
2009
The Dancing Self/Other: a conceptual overview. Poster, Intelligence and Action II Symposium, Bielefeld University, Germany, November 2009.*
2007
Perception of Dance Movement Patterns: Self-recognition with expert ballet dancers, Paper, IADMS Annual Conference, Australian Institute of Sport, Canberra, Australia, Oct 2007.*
Dance and Sport with Emma Redding & Helen Laws, BBC London Sports Show with Caroline Barker and Mick Collins, BBC Radio 94.9 FM, 24 June 2007.**
Perceiving Dance Movement Patterns, Imagery and Observation Group, University of Birmingham, UK, May 2007.
Self-recognition and Dance Action: A Literature Review, From Cognition to Conditioning Dance Science Research Forum, London Sport Institute, Middlesex University, London, UK, February 2007; and TaMeD Symposium, Basel, Switzerland, March 2007.*
2006
Simulation and Empathy, Mind, Brain, and Performance Symposium, Calouste Gulbenkian Foundation with University College London and Arts Council England, Sadlers Wells, London, Nov 2006.**
Injury Prevention and Health Screening, Optimizing potential, maximizing performance, Healthier Dance Event, DanceUK, Laban, London, UK, November 2006.
2005
Reflections on reflections: Modern dance and mirror use in a university dance training environment, Paper, IADMS Annual Conference, Stockholm, Sweden, Nov 2005.*
The Reflection Inside: the mirror and the student modern dancer’s understanding of his/her dancing body, Paper, University of California’s Dance Under Construction Annual Conference, Los Angeles, CA, April 2005.*
2004
The Student Perspective Forum: Pursuing the Dance Science Emphasis in a Masters of Fine Arts Program, IADMS Annual Conference, San Francisco, CA, November 2004.*
An Example of Phantom Limb Phenomenon and Its Implications to the 21st Century Western Modern Dancers’ Mind/Body Understanding, University of California’s Dance Under Construction Annual Conference, Riverside, CA, April 2004.*
*peer-reviewed
**invited
Keep Learning, Keep Talking series, as Co-Director of Centre for Performance Philosophy, in collaboration with DanceHE, Independent Dance, and C-Dare. Guest Speakers: Carla Trim-Vamben, Matthew Gough, Sharon Watson. Online. Jan, April, & July 2021.
Exploring Diffraction with Glitch, Dance, and Video, Paper-presentation, Modes of Capture Symposium, Irish World Academy, University of Limerick, Liz Roche Company & Dublin Dance Festival, Ireland & Online, May 2021.
2019
Who can afford to be emotional?: The cultural politics of emotion with practice research in the university context, Paper, Dancing in Common, Dance Studies Association Annual Conference, Northwestern University, USA, Aug 2019.*
Negotiating emotional labour with practice research in the academy, Paper, Per/Forming Futures Conference, Middlesex University London, UK, April 2019.*
2018
May & June 2018 performance lectures, please see Choreography page.
Roundtable on Dance Technique and Performance Training, University of Winchester, UK, Invited Contributor, hosted by Noyale Colin & Catherine Seago, May 2018.
We Are Worthy Summit, Global Online Event, Invited Contributor for Session 'The Creativity of Childlessness: Finding Understanding and Acceptance Through Art' with Jessica Hepburn, London, UK, April 2018.
Women in Dance Leadership Conference, New York, NY, USA, Invited Academic, January 2018, please see Movement: Choreography page.
2017
Invited lecture for Critical Encounters series, University of Lincoln, UK, 11 Oct 2017.
Jan & July performance performance lectures, please see Movement: Choreography page.
2016
Re-reflecting on dancers’ engagements with video self-recordings, Paper, Centre for Performance Philosophy Launch Event, University of Surrey, UK, September 2016*
Foregrounding the imagination: re-reflecting on dancers’ engagement with video self-reflection, Choreography and Corporeality Working Group, International Federation for Theatre Research, Presenting the Theatrical Past, Stockholm, Sweden, June 2016.*
2015
Choreography is Critical: Choreography as core curricula in the UK and USA, Paper, CORD/SDHS Joint Conference: Cut & Paste: Dance Advocacy in the Age of Austerity, Athens, Greece, June 2015.
2014
Fixating or Evoking? writing about dancers’ kinaesthetic experiences, Paper, CORD/SDHS Joint Conference: Writing Dancing/Dancing Writing, University of Iowa, USA, November 2014.*
Getting to the Heart of Dance: How, Why, and When to use Qualitative Methodology in Dance Research, Panel contribution: Phenomenological-based approach, with IADMS Research Committee and Lana Ashton, IADMS Annual Conference, Basel, Switzerland, October 2014.*
Performing the labour of knowledge?, Paper, Performing Process: Sharing Practice Symposium, C-DaRE, Coventry University, UK, June 2014.*
2013
Dancers' experiences of kinaesthetic disruption with video self-images, Paper, School of Arts Research Seminar, University of Surrey, UK, October 2013.
2012
Dancers’ experience of kinaesthetic disruption with video self-image, Paper, Dance through the Looking Glass Conference, Ghent University, Department of Philosophy and Moral Science, Belgium, June 2012.*
2011
The kinaesthetic, visual, and imaginary and a contemporary dancer experience, Paper, 10th International NOFOD Conference, Spacing Dance(s) – Dancing Space(s), University of Southern Denmark, Odense, Jan 2011.*
2010
The Dancing Self/Other: a conceptual overview, Paper, Society of Dance History Scholars, University of Surrey, July 2010.*
Kinaesthetic Empathy and Dancer-Choreographer Relations: a case study, Poster, Kinaesthetic Empathy: Concepts and Contexts Conference, University of Manchester, April 2010.*
The Dancing Self/Other: a conceptual overview. Poster, International Association of Dance Medicine and Science Conference, University of Birmingham, UK, October 2010.*
2009
The Dancing Self/Other: a conceptual overview. Poster, Intelligence and Action II Symposium, Bielefeld University, Germany, November 2009.*
2007
Perception of Dance Movement Patterns: Self-recognition with expert ballet dancers, Paper, IADMS Annual Conference, Australian Institute of Sport, Canberra, Australia, Oct 2007.*
Dance and Sport with Emma Redding & Helen Laws, BBC London Sports Show with Caroline Barker and Mick Collins, BBC Radio 94.9 FM, 24 June 2007.**
Perceiving Dance Movement Patterns, Imagery and Observation Group, University of Birmingham, UK, May 2007.
Self-recognition and Dance Action: A Literature Review, From Cognition to Conditioning Dance Science Research Forum, London Sport Institute, Middlesex University, London, UK, February 2007; and TaMeD Symposium, Basel, Switzerland, March 2007.*
2006
Simulation and Empathy, Mind, Brain, and Performance Symposium, Calouste Gulbenkian Foundation with University College London and Arts Council England, Sadlers Wells, London, Nov 2006.**
Injury Prevention and Health Screening, Optimizing potential, maximizing performance, Healthier Dance Event, DanceUK, Laban, London, UK, November 2006.
2005
Reflections on reflections: Modern dance and mirror use in a university dance training environment, Paper, IADMS Annual Conference, Stockholm, Sweden, Nov 2005.*
The Reflection Inside: the mirror and the student modern dancer’s understanding of his/her dancing body, Paper, University of California’s Dance Under Construction Annual Conference, Los Angeles, CA, April 2005.*
2004
The Student Perspective Forum: Pursuing the Dance Science Emphasis in a Masters of Fine Arts Program, IADMS Annual Conference, San Francisco, CA, November 2004.*
An Example of Phantom Limb Phenomenon and Its Implications to the 21st Century Western Modern Dancers’ Mind/Body Understanding, University of California’s Dance Under Construction Annual Conference, Riverside, CA, April 2004.*
*peer-reviewed
**invited
